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Albrecht Durer Man mk168
age ninety-three
415x252mm
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Albrecht Durer St.Jerome in his Cell mk168
Oil on wood
60x48cm
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Albrecht Durer THe Magdalen embracine the cross mk168
Chald drawing on green grounded paper
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Albrecht Durer St.Apollonia mk168
414x288mm
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Albrecht Durer Christ Carrying the Cross mk168
210x285mm
Pen and ink on paper
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Albrecht Durer Christ Carrying the Cross mk168
210x285mm
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Albrecht Durer The Deposition of Christ mk168
205x290mm
Pen and ink on paper
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Albrecht Durer The Great Crucifixion mk168
320x230mm
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Albrecht Durer Portrait of a Young man mk168
378x271mm
London
British Museum
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Albrecht Durer Portrait of Rodrigo Fernandez d-Almada mk168
373x271mm
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Albrecht Durer St.Jerome in his study mk168
247x188mm
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Albrecht Durer Portrait of a man mk168
Oil on oak
50x36cm
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Albrecht Durer Portrait of Bernhard von Reesen mk16845.5x31.5cm
oil on oak
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Albrecht Durer The Betrayal of Christ mk168
282x180mm
Vienna.
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Albrecht Durer Christ Before Caiaphas mk168
283x178mm
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Albrecht Durer St.Anthony The Hermit mk168
96x143mm
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Albrecht Durer The Sudarium Held By An Angel on a small Cartellino mk168
185x134mm
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Albrecht Durer Agony in the Garden mk168
221x156mm
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Albrecht Durer Two Venetian Ladies mk168
290x173mm
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Albrecht Durer The Virgin Nursing the Child near the bottom,on a stone mk168
1503
113x70mm
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Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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